![]() Richard Williams, chief executive of Northern Ireland Screen, said: "This major Hollywood film is a fine example of our ability, in the face of increasing global competition, to attract film and television projects to Northern Ireland and a reflection of our passionate commitment to develop a sustainable, dynamic screen industry and culture. ![]() This was against an investment of £800,000 from Northern Ireland Screen. But Embers once powerful generator is failing and the great lamps that illuminate the city are starting to flicker. Northern Ireland Screen said it fought "long and hard" to get the production to Belfast and is delighted the premiere will be held in the city.Īt the end of the last financial year, City of Ember delivered an estimated £9.2m to the Northern Ireland economy. See all 12 trailers and videos » Storyline For generations, the people of the City of Ember have flourished in an amazing world of glittering lights. : City of Ember : Bill Murray, Tim Robbins, Martin Landau, Toby Jones, Saoirse Ronan, Harry Treadaway, Marianne Jean-Baptiste, Mary Kay Place, Caroline. Genre: Action, Adventure, Drama, Family, Fantasy, Thriller. It received funding from Northern Ireland Screen and its premiere is part of the Cinemagic Festival of young people's film. Movies Similar to City of Ember: The Spiderwick Chronicles (2008). The film was made by PlayTone which is owned by Tom Hanks and Walden Media. Something we’re sadly denied.Among those watching eagerly from the sidelines will be a band of extras recruited to play the citizens of Ember who have never seen sunlight. Kenan’s palpable affection for his central creation is so strong that once we’re gasping fresh air, we want to dive back in, get to know Ember’s intriguing denizens better and properly explore its claustrophobic hinterland. But Embers once powerful generator is failing. But the generator was built to last only 200 years, and as its lights start to flicker and. For generations, the people of the City of Ember have flourished in an amazing world of glittering lights. You hope for an underground odyssey all you get is Ember… and out! For generations a massive generator has sustained the needs of the underground city of Ember. Directed by Gil Kenan and starring Bill Murray, Tim Robbins, Saoirse Ronan and Harry Treadaway. The bad guys, headed up by Bill Murray’s disingenuous, pot-bellied mayor, never deliver up the threat. Watch the movie trailer for City of Ember (2008). Mysteries remain unsolved (what’s with the outsize creepy-crawlies?) exciting action sequences are seemingly promised (a conflict with baddies on an impossibly high ladder!?) but fail to materialise. Here, though, Kenan reveals where there’s room for improvement: story-wise, the film only feels about two-thirds there. Summary For generations, the people of the City of Ember have flourished in an amazing world of glittering lights - underground. The moral isn’t hard to spot, especially when its adult population are portrayed as apathetic, corrupt, disillusioned or blindly grasping to ill-founded faith it’s up to inspired young heroes Lina and Doon to solve the puzzle left by Ember’s mythical Builders and escape their crumbling home. We’re introduced to this subterranean mini-metropolis’ decrepit charms via an astonishing aerial shot which wheels down from hundreds of dangling, flickering lamps to reveal humanity’s last hope, whose doom is contained within its very own DNA (or rather, town planning).Ĭity Of Ember is full of such sprightly visual thrills, and is packed with delightful incidental details that reveal a society making-do with dwindling resources. Ember is a decaying, dank urban jumble of crumbling redbricks, rusting lampposts and bleeding pipes, the kind of fantasy-sci-fi-retro world realised by Terry Gilliam in Brazil or Jeunet and Caro in The City Of Lost Children. Kenan has talked about his titular conurbation as the main character, and it’s clearly the one he loves most. On one level - and it’s a very important one - City Of Ember, based on Jeanne Duprau’s novel, is a triumph. So now we come to his second film: gone is the mo-cap, but the ’80s kids’ adventure vibe remains. Now, in a race against time, the citizens must search Ember for clues that will unlock the ancient mystery of the citys existence, and escape before the lights. ![]() With its ’80s kids’ adventure vibe and whirling, mo-cap style, Kenan marked himself out as a tyro who could tune in to a smart script and turn it in to an fairground-style entertainment, chills, spills and all. Gil Kenan’s Monster House was a beacon, flashing out across a darkness in which lurked faceless, franchise-spawned blockbusters, its sadly underappreciated luminance announcing: here is a new talent.
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